Classical

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Folias Galegas by Santiago de Murcia (18th Century)

 

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The Currach by Bill Whelan (Pianist: Anna Kiselyova)




Orechestral Version:

 

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Troika - from Lieutenant Kijé Suite by Sergei Prokofiev

 

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Rafal Blechacz Chopin Polonase N° 6, Heroic, Op 53

 

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Seong-Jin Cho – Etude in C major Op. 10 No. 1

 

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Domenico Scarlatti K. 175

 
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Hoedown by Aaron Copeland (conducted by Aaron Copeland)

 

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Ombra ma fui
by Georg Friedrich Handel
Patricia Janečková - soprano





Ombra mai fù/Never was a shade
di vegetabile/of any plant
cara ed amabile,/dearer and more lovely
soave piú./or more sweet
Frondi renere e belle/Tender and beautiful fronds
dei mio plantano amato/of my beloved plane tree
per voi reisplenda il fato./let Fate smile upon you.
Tuoni, lampi, e procelle/May thunder, lightning, and storms
non v’oltraggiano mai la cara pace,/never disturb your dear peace,
né giunga a profanarvi austro rapace./nor may you by blowing winds be profaned.
Ombra mai fù/Never was a shade
di vegetabile/of any plant,
cara ed amabile,/dearer and more lovely,
soave piú./or more sweet.
 

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Rachmaninov: Piano Concerto no.2, op.18
The musicians: Nordwestdeutsche Philharmonie
led by Martin Panteleev Anna Fedorova, piano


 

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Gaspar Sanz
BornFrancisco Bartolomé Sanz Celma
baptized April 4, 1640 (birth date unknown)
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Died1710 (aged 70)
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Occupationcomposer and priest
Francisco Bartolomé Sanz Celma
aka Gasper Sanz (April 4, 1640 – 1710)
Canarios con danza

 

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El mirar de la maja

Language: Spanish (Español)

¿Por qué es en mis ojos
tan hondo el mirar
que a fin de cortar
desdenes y enojos
los suelo entornar?
¿Qué fuego dentro llevarán
que si acaso con calor
los clavo en mi amor
sonrojo me dan?

Por eso el chispero
a quien mi alma dí
al verse ante mí
me tira el sombrero
y díceme así:
"Mi Maja, no me mires más
que tus ojos rayos son
y ardiendo en pasión
la muerte me dan."
 

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Concerto for bassoon in D major (1729)
Opus 26 No. 6
1 - Allegro

by Joseph Bodin de Boismortier

 
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Brandenburg Concerto No. 4 in G Major
BWV 1049: I. Allegro
by Johann Sebastien Bach

(Transcribed by Max Reger)
Pianists: Takahashi-Lehman

 

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onatina in C Major for mandolin and fortepiano [La Ragione, Crosetto]
WoO 44, No. 1 By Ludwing Van BEETHOVEN


 

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Can-Can (from Orpheus of the Underworld, 1858)
by Jean Jacques Offenbach

 

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The Great Gate of Kiev (1874)
by Modest Mussorgsky

 

Jeannie

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this literally sounds like the soundtrack for end of the world