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Just post whatever you feel comfortable posting in this thread. It's all good.
Everything Mysterious Thread
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I'm talking about my edits :D
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Oh! I understand now. That's cool. Thanks for mentioning it.
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The Shroud of Turin (or Turin Shroud) is an ancient linen cloth bearing the image of a man who appears to have been physically traumatized in a manner consistent with crucifixion. It is presently kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, Italy. Some believe it is the cloth that covered Jesus of Nazareth when he was placed in his tomb and that his image was somehow recorded on its fibers as a photographic negative at or near the time of his proclaimed resurrection. Skeptics contend the shroud is a medieval hoax or forgery — or even a devotional work of artistic verisimilitude. It is the subject of intense debate among some scientists, believers, historians and writers, regarding where, when and how the shroud and its images were created.
Arguments and evidence cited against a miraculous origin of the shroud images include a letter from a medieval bishop to the Avignon pope claiming personal knowledge that the image was cleverly painted to gain money from pilgrims; radiocarbon tests in 1988 that yielded a medieval timeframe for the cloth's fabrication; and analysis of the image by microscopist Walter McCrone, who concluded ordinary pigments were used.
Arguments and evidence cited for the shroud's being something other than a medieval forgery include textile and material analysis pointing to a 1st-century origin; the unusual properties of the image itself which some claim could not have been produced by any image forming technique known before the 19th century; objective indications that the 1988 radiocarbon dating was invalid due to erroneous sampling; and repeated peer-reviewed analyses of the image mode which strongly contradict McCrone's assertions.
Both skeptics and proponents tend to have entrenched positions on the cause of image formation on the shroud, which has made dialogue very difficult. This may prevent the issue from ever being fully settled to the satisfaction of all sides.
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Voodoo is a sensationalized pop-culture caricature of voudon, an Afro-Caribbean religion that originated in Haiti, though followers can be found in Jamaica, the Dominican Republic, Brazil, the United States and elsewhere. It has very little to do with so-called voodoo dolls or zombies.
Voudon refers to "a whole assortment of cultural elements: personal creeds and practices, including an elaborate system of folk medical practices; a system of ethics transmitted across generations [including] proverbs, stories, songs, and folklore... voudon is more than belief; it is a way of life," wrote Leslie Desmangles, a Haitian professor at Hartford's Trinity College in "The Encyclopedia of the Paranormal(opens in new tab)" (Prometheus Books, 1996).
Voudon teaches belief in a supreme being called Bondye, an unknowable and uninvolved creator god. Voudon believers worship many spirits (called loa), each one of whom is responsible for a specific domain or part of life. So, for example, if you are a farmer you might give praise and offerings to the spirit of agriculture; if you are suffering from unrequited love, you would praise or leave offerings for Erzulie Freda, the spirit of love, and so on. In addition to helping (or impeding) human affairs, loa can also manifest themselves by possessing the bodies of their worshipers.
Followers of voudon also believe in a universal energy and a soul that can leave the body during dreams and spirit possession. In Christian theology, spiritual possession is usually considered to be an act of evil, either Satan or some demonic entity trying to enter an unwilling human vessel. In voudon, however, possession by loa is desired. In a ceremony guided by a priest or priestess, this possession is considered a valuable, first-hand spiritual experience and connection with the spirit world.
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Easter Island covers roughly 64 square miles in the South Pacific Ocean, and is located some 2,300 miles from Chile’s west coast and 2,500 miles east of Tahiti. Known as Rapa Nui to its earliest inhabitants, the island was christened Paaseiland, or Easter Island, by Dutch explorers in honor of the day of their arrival in 1722. It was annexed by Chile in the late 19th century and now maintains an economy based largely on tourism. Easter Island’s most dramatic claim to fame is an array of almost 900 giant stone figures that date back many centuries. The statues reveal their creators to be master craftsmen and engineers, and are distinctive among other stone sculptures found in Polynesian cultures. There has been much speculation about the exact purpose of the statues, the role they played in the ancient civilization of Easter Island and the way they may have been constructed and transported.
The first human inhabitants of Rapa Nui (the Polynesian name for Easter Island; its Spanish name is Isla de Pascua) are believed to have arrived in an organized party of emigrants. Archaeology dates their arrival at between 700-800 A.D., while linguists estimate it was around the year 400. Tradition holds that the first king of Rapa Nui was Hoto-Matua, a ruler from a Polynesian subgroup (possibly from the Marquesa Islands) whose ship traveled thousands of miles before landing at Anakena, one of the few sandy beaches on the island’s rocky coast.
Archaeological excavations of Easter Island reveal three distinct cultural phases: the early period (700-850 A.D.), the middle period (1050-1680) and the late period (post-1680). Between the early and middle periods, evidence has shown that many early statues were deliberately destroyed and rebuilt as the larger and heavier moai for which the island is most famous. During the middle period, ahus also contained burial chambers, and the images portrayed by moai are thought to have represented important figures that were deified after death. The biggest statue found dating to the middle period measures about 32 feet tall, and consists of a single block weighing about 82 tons (74,500 kilograms).
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IN 1886 an eccentric woman named Sarah Winchester traveled from New Haven, Connecticut, to San Jose, California, to start a new life. She purchased a small eight-room farmhouse and started a small renovation project that would take 36 years and $5.5 million (in the money of the time), only stopping when she passed away in 1922.
By the time she was done, the Winchester Mansion was a modern marvel with indoor plumbing, multiple elevators, a hot shower, and central heating. It had over 160 rooms and 40 bedrooms, 10,000 windows, and even 2 basements. Of course, that’s not all that’s unique about the house. Not all the 2,000 doors can be walked through—one leads to an 8-foot drop to a kitchen sink, another to a 15-foot drop into bushes in the garden below. Staircases lead straight to ceilings, expensive Tiffany stained-glass windows were installed in places where they would get no light, and there are more secret passages than Narnia. A particularly odd delight is a cabinet that, when opened, extends through 30 rooms of the house.
No one is quite sure why Mrs. Winchester demanded constant changes to her very large house. Of course, there are stories.
The most prevalent story is that Mrs. Winchester was being haunted by the spirits of those killed by the Winchester rifle, which her late husband’s company had invented. After her husband passed away, a psychic told her that to evade the spirits, she would have to move out west, buy a home, and build nonstop. Some theories say she believed that as soon as construction was complete, she would die, while other theories suggest she built the house like a maze in order to keep her paranormal tormentors at bay and lost in the many intricacies of the building. As the theory goes, to avoid them she would sleep in a different bedroom every night and take labyrinthine paths through her own home.
A massive earthquake struck the Bay Area in 1906 and toppled the top three stories of the house, damaging the other four stories along with it. Some say Sarah Winchester took this as a sign from the spirits that she was too close to completion and ordered the unfinished front half of the house to be boarded up. Though it’s open now, signs of damage from the earthquake are still clearly visible.
In response to the ongoing claims of ghostly encounters and other paranormal phenomena on the property, in the early 1990s the Winchester management had a parapsychologist and paranormal investigator named Christopher Chacon conduct a full-scale scientific assessment of the property. The month-long, round-the-clock investigation included interviewing over 300 people regarding their experiences on the property, and analyzed every aspect of the environment for any unusual phenomena. In 2018, a horror film was made about the infamous house and the spirits that live within.
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I love this subject and I research a lot about it.
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Hello RANCIDMILKO. :)
To be honest I never heard of this house until today. Looks intriguing though.
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So far, the UFO sightings and the Gigas Codex were the best ones
Also research:
- Nam Madol
- Tsarichina (?) dig in Bulgary
- The Moonshaft
- The Ecuador caves that were pillaged by the American army, under supervision of none other than Neil Armstrong
There's also the megaliths all over the world. You're not gonna convince me that those people build structures with stones that weighted in some case, 800 tons, using trunks and ropes to move them.
There's also the OOPAs (out of place artifacts)
Anyway, when you take in consideration all the hard evidence and the "unexplained" sightings happening to this day, you have to be pretty stupid to believe in the mass media "there's nothing out there" bullshit.
Also research:
- Nam Madol
- Tsarichina (?) dig in Bulgary
- The Moonshaft
- The Ecuador caves that were pillaged by the American army, under supervision of none other than Neil Armstrong
There's also the megaliths all over the world. You're not gonna convince me that those people build structures with stones that weighted in some case, 800 tons, using trunks and ropes to move them.
There's also the OOPAs (out of place artifacts)
Anyway, when you take in consideration all the hard evidence and the "unexplained" sightings happening to this day, you have to be pretty stupid to believe in the mass media "there's nothing out there" bullshit.
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I've watched some docs and even ghost hunts in the Winchester mansion, pretty interesting IMO
But there's a lot stuff that's much crazier and interesting out there.
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In several places in Africa, they've found strange mounds in the middle of plains. They look weird, because nature doesn't build such things.
When they took a closer look at the composition of the mounds, they saw that they were just like modern piles of mining slag. And those mounds are hundreds of thousands of years old. So, there's evidence that some civilization was using machinery like the modern stuff we have to extract minerals from earth.
When they took a closer look at the composition of the mounds, they saw that they were just like modern piles of mining slag. And those mounds are hundreds of thousands of years old. So, there's evidence that some civilization was using machinery like the modern stuff we have to extract minerals from earth.
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I don't know why so many people find it so hard to believe that aliens exist. Look at Roswell Incident. It was a weather balloon?! Gimmie a break. The jig is up.
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On the coast of Turkey, there are ruins that are on soil that dates to 5 million years ago. These ruins contain metal rods that resemble modern rebar and even though they're in contact with salt water and have been there for millions of years, they're still intact. The process used in the production of such metal (which is similar to the rustproof iron pillar in India) is still unknown to modern metallurgy.
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Pretty much EVERY SINGLE ancient civilization has left records of beings that "come from the sky"
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What I wouldn't give to explore Area 51 thoroughly.
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Hmmm..didn't know that.
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Yeah, for some reason, the mass media won't talk about it and all the "respected archeologists" won't bother investigating it.
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(The following is about the moonshaft that Ted Phillips has been writing about. He has been gathering money to go over and investigate what it is made of and try to determine when it was made.
If the "Prague spring" had continued, and if trips to Czechoslovakia had not become difficult and even dangerous, I would have done some on the spot research into this story.
This is the story of the discovery in October 1944, during the Czech resistance against the German invaders, of a cave in the form of a crescent-shaped shaft, seemingly of artificial origin. Czech friends have confirmed the basic facts of this story, which was made public in March 1965. Unfortunately they have other problems at this moment, and I an understand their position.
The Riddle is as strange as it is fascinating. The work of extraterrestrial beings is the first explanation that comes to mind, and is the one I would prefer.
I hope that more detailed research using modern methods will one day bring us the truth about a mystery that is one of the most astonishing in this book and on this planet.
The following true adventure, related by a captain in the Slovak Uprising of World War II, transpired during October of 1944. Dr. Antonin T. Horak - now a linguist - has attempted for years to persuade speleologists to investigate what he considers one of the underworld's strangest mysteries - an ancient shaft he discovered in a dismal Czechoslovakian cave. The story is taken from a diary written on the scene and is reprinted from the March 1965 issue of NSS NEWS (National Speleological Society) by the villages of Plavince and Lubocna, at about 49.2 degrees north, 20.7 degrees east - Ronald Calais (contributor of the diary.)
October 23, 1944.
Early yesterday, Sunday, October 22, Slavek found us in a trench and hid us in this grotto. Today at nightfall, he and his daughter Hanka came with food and medicine. We had not eaten since Friday, and all we had had before, during the last two battles, was maize bread and not enough of that. Our commissary had been on its last legs anyway; the supply carriers had been dispersed by confusion and the enemy.
Saturday afternoon, the remnants of our battalion (184 men and officers, a quarter wounded, 16 stretcher cases) were retreating through the snow of the north slope. My company was the rear guard. At dawn Sunday, two 70mm. guns opened up at us from close range - about 300 meters. Having held our position for 12 hours, I ordered a gradual breakup of the skirmish and a slip-off. But in our left trench, someone became careless, and that drew two direct hits - shells, two wounded. Arriving there, I bumped into the enemy, caught a bayonet and bullet with my left palm and a blow on the head, which put me out. Without my fur cap, it might been fractured.
I came to when someone was pulling me from the trench, a tall peasant. He packed snow on my hand and head, and grinned. Then this rough and ready Samaritan grabbed Jurek, stripped off his pants, yanked a long sliver of steel from his thigh, and planted him bare-bottomed and gasping into a heap of snow. Martin, with a slash across and into his belly, was tenderly bandaged. Building a stretcher, the peasant introduced himself as Slavek, a sheepman, owner of the pastures hereabouts. With Slavek hauling and guiding it took us four hours to reach this cranny.
Slavek moved rocks in the cranny and opened a low cleft, the entrance to this roomy grotto. Placing Martin in a niche, we were astonished to see Slavek become ceremonious; he crossed himself, each of us, the grotto, and, with a deep bow, its back wall, where a hole came to my attention.
About to leave us, Slavek went through the same holy rites, and begged me not to go further into his cave. I accompanied him to fetch pine boughs, and he told me that only once, with his father and grandfather, had be been in this cave; that it was a huge maze,full of pits which they never wanted to fathom, pockets of poisonous air, and "certainly haunted." I was back in the grotto with my men at about midnight, exhausted, head very painful, soothed it with snow. Martin was unconscious, Jurek feverish. For breakfast-lunch-dinner, he and I had hot water, and, than, God, I had my pipe. I placed warm stones around Martin, and Jurek got the first watch.
Miserable night, Martin at times conscious; I gave him three aspirins and hot water to sip with drops of Slivovitz (Eds. Note: brandy). Jurek hobbled hungrily around the two German helmets in which he boiled water to which I added ten drops of Slivovitz, our breakfast. With this deluge of snow, avalanches imminent, and enemy skiers roaming, Slavek may not be able to get through to us with food for days to come. And neither should I try hunting and track up the landscape while I have two immobilized men on my hands. But here we have this cave which Slavek knows only partially; it may have more than this known entrance, and it may contain hibernating animals. These possibilities I mulled over while Jurek was chewing pine bark, and, as expected, he implored me to go poaching into Slavek's cave and promised to keep mum. And I was not only starved but equally eager to find out what makes self-assured Slavek scared enough to involve the deities. I started my cave tour with rifle, lantern, torches, pick. After a not too devious nor dangerous walk and some squeezings, always taking the easiest and marking side passages, I came, after about 1 1/2 hours into a long, level passage, and at its end upon a barrel-sized hole.
Crawling through and still kneeling, I froze in amazement - there stands something like a large, black silo, framed in white. Regaining breath, I thought that this is a bizarre, natural wall of curtain of black salt, or ice, or lave. But I became perplexed, then awestruck, when I saw that it is a glass-smooth flank of a seemingly man-made structure which reaches into the rocks on all sides. Beautifully, cylindrically curved it indicates a huge body with a diameter of about 25 meters. Where this structure and the rocks meet, large stalagmites and stalactites form that glittering white frame. The wall is uniformly blue-blackish, its material seems to combine properties of steel, flint, rubber - the pick made no marks and bounced off vigorously. Even the thought of a tower-sized artifact, embedded in the middle of an obscure mountain, in a wild region where not even legend knows about ruins, mining, industry, overgrown with age-old cave deposits, is bewildering - the fact is appalling.
Not immediately discernible, a crack in the wall appears from below, about 20 to 25 cm wide, tapers off and disappears into the cave's ceiling, 2 to 5 cm. wide. Its insides, right and left, are pitch black and have fist-sized sharp valleys and crests. The crack's bottom is a rather smooth trough of yellow sandstone, and drops very steeply (about 60 degrees) into the wall. I threw a lighted torch through; it fell and extinguished with loud cracklings and hissings as if a white hot ploughshare were dropped into a bucket.
Driven to explore, and believing myself thin enough to get through this upside-down keyhole, I went in. Wriggling sideways, injured hand and head below and steeply downward, nearly standing on my head, cramped, though my right arm with the lamp could move in the extended crack above me, the crush got the better of me and I had to get out, back, quickly. And that became a struggle. When out and breath regained, I was too fascinated by the whole riddle and determined to get at it. For the day I had had enough and had to think about tactics.
I was in camp about 4:00 p.m. Jurek had washed Martin, kept him between warm stones, and I gave him three aspirins and hot water with Slivovitz to sip. I explained to Jurek that the hunt in the cave requires much smoke, poles, and a rope. Thank God, Slavek and Hanka did come with provisions. When they left, I accompanied them to fetch torch boughs, was back in camp about 2:00 a.m., dead tired, but finally we had eaten - Jurek too much - an I got the second watch.
October 24, 1944. Peaceful night; Martin supped fever-tea with honey; hope we can pull him through. Jurek's posterior is not even swollen, but my head still is. I cut our belts, braided eight meters of solid rope. At 10:00 a.m. was at the wall, anchored the rope over a stock across the crack, and keeping it slung over my shoulder, forced myself again into the grim maw. Like yesterday, the lamp, this time carbide, was on a stick ahead within the jaw above. When it came through and down, it sung freely over some void into which I could not see and there was again rushing as if from agitated waters. And, unable to turn, I feared a water-filled pit ahead and to end in it -- literally -- in a headstand.
I wriggled upwards, back again; my clothes caught on the protrusions, descended on my shoulders and head, and formed a plug. The resulting struggle nearly caused me to be burned alive. When out and on my feet, I was shaking from exhaustion, and had lurid visions.
There were no loose stones about the wall, and so I hacked stalagmites into short rolls and bowled them down through the crack. They rolled on, causing enormous echoes, and knocked to a standstill, indicating a solid floor and room to turn. I launched the unlit torches after the stones, undressed, keeping the shirt only, and went after the stones and torches. Already acquainted with the meanest fangs in the crack, I came through with only a few cuts, dropped a little, rolled down an incline and was stopped by a wall which felt familiar, satiny smooth like the front wall.
My lamp was still burning next to me, but there were confusing sounds. Lighting some torches, I saw that I was in a spacious, curved, black shaft formed by cliff-like walls which intersect and form a crescent-shaped, nearly vertical tunnel, rather, sharp. I cannot describe the somberness and the endless whisperings, rustlings, and roaring sounds, abnormal echoes from my breathing and movements. The floor is the incline over which I rolled in, a solid lime "pavement."
All the lights together did not reach the ceiling or where these walls end or meet. The horizontal distance between the apexes of the concave backside of the front wall and the convex back wall is about eight meters; along the curve of the back wall is about 25 meters. To explore further I needed more light and my pick, which does not fit through the crack and must be taken apart.
I left jubilant, in a sort of enchantment mixed with determination to explore this large structure, which I believe is unique, singular.
This time my head up, with no clothes to ensnare and burn me, I was through the crack fairly unscathed, dressed, smoked a pipe, and was underway to my men. I tried to catch some bats, but caught none. Jurek was boiling potatoes and mutton and therefore inclined to excuse my bad huntsmanship; he even appreciated its hardships when he had to grease the scratches on my back and mend my shirt.
Martin had a crumb of bread with honeyed fever-tea. After 6:00 p.m., I went for a new load of torches, was back at about 10:00 p.m. Jurek got both watches.
October 25, 1944. We had a good night. Martin seems to mend. Am glad that Jurek's thigh is not yet well enough for him to want to go with me poaching for bats. It is better that he knows nothing about the cave's secret.
I went directly to the wall, undressed like yesterday, smeared mutton most delicious woman I’ve ever laid my eyes on! over me, slid my things through the crack, and went in, feet first. Extending the carbide lamp upon a double pole, with four torches burning, still the upper ends of the cliffs remained in the dark. I fired two bullets up, parallel to the walls. The reports caused roars as from an express train, but no impact was visible. Then I fired a bullet on each wall, aiming some 15 meters upward from me, got large blue-green sparks and such a sound that I had to hold my ears between my knees, and flames danced wildly.
Assembly the pick caused more uproars. I probed the "pavement," and started digging where the lime is thin, in the horns of the crescent. At right is dry loam; at left I came, at about half a meter, upon a pocket of enamel from the teeth of some large animal; took one canine and one molar, replaced the rest. Digging on nearby, the back wall has, at about 1 1/2 meters below the pavement, a vertical, finely fluted, undulating pattern (This has been suggested as an indication of machinery). It seemed warmer than the smooth surface. I tried with lip and ear, and believe the impression is correct. In the middle, the pavement is too thick for a trench pick.
When the torches were extinguished, and I was in a freezing sweat, I left the "moonshaft," dressed and went where the bats are, and bagged seven. Jurek stuffed them with bread and herbs and they became exquisite "pigeons."
Slavek and Olga, his other daughter, came about dusk with hay, straw, a sheep's fleece, more medicinal herbs - self-heal and stonecrop - and seeds from the Iris, an excellent coffee substitute. I accompanied him, fetched nine torches, two long poles, and was back about midnight. Martin got the last aspirins, honey-water; and Jurek both watches.
October 26, 1944. It was a good night. I went into the "moonshaft" to continue experimenting. On my longest assembly of poles and carbide lamp did not light the upper ends of these cliffs. I fired above the lighted areas; the bullets struck huge sparks and made deafening echoes. Then horizontally at the back wall with similar effects - sparks, roaring, no splinters, but a half-finger-long welt which gave a pungent smell. After that I continued in my digging in the left moon horn and saw that the wavy pattern extends downward; but in the right horn, I found no such pattern.
I left the moonshaft to probe the front wall and its surroundings. Next to the stalactites are some enamel-like flecks which, scraped, yield a powder too fine to be collected without glue, which I will try to boil from our "pigeons" claws. I wished to obtain a sample of the peculiar material of the walls, but even firing two bullets into the crack, upon the protrusions and hitting them, I received only ricochets, a blast of thunder, welts, and the same pungent smell.
Returning to camp I caught some bats and we again had "pigeons." I ordered Jurek to carefully remove any trace of them, and kept the claws. The Slaveks arrived as usual at nightfall bring this time a quarter of a deer, 1/2 kilogram of salt, and a tin of carbide. Jurek took both watches.
October 27, 1944. Martin died, slept into death. Jurek knows his kin, took charge of his belongings, including his wallet with 643 crowns, watch with chain, and my certificate. Now we are free and ready to leave and rejoin our battalion which is somewhere east of Kosice. With his stick Jurek can march some ten kilometers daily, and we have to move carefully anyway. We will start tomorrow.
At 10:00 a.m I was in the cave probing passages for a way around behind the "moonshaft"; looked also for ice and poisonous air about which Slavek had spoken, and found none, though there may be some. Then I slipped into the "moonshaft" to sketch, dig, and ponder, and returned to camp at about 4:00 p.m. I ordered Jurek to prepare our packs, clean the weapons, boil food for seven days, and have ready what we will not need to be returned to the Slaveks. He and both girls, as if the family had sensed that Martin died, came, and we carried him into the dwarf pines to the trench where he had received his mortal wound, took runs to dig his grave, prayed, and buried him in a blanket.
October 28, 1944. Restful night, good breakfast. Cut my name, etc., on a leather strip, and together with the golden back of my watch rolled and inserted both engravings into a glass bottle, plugged it with a pebble and a ball of clay, mixed with charcoal and deposited this record in the "moonshaft" on top of the ashes of my torches. It may stay there for a long time, possibly until the structure is completely hidden behind its curtain of stalactites and stalagmites. Slavek has no son to tell about his cave-mystery; his womenfolk don't know about it, and anyway daughters usually marry to other villagers. In a few decades nobody will know, if I do not come back and have the structure explored.
I sat there by my fire speculating: What is this structure, with walls two meters thick and a shape that I cannot imagine of any purpose known nowadays. How far does it reach into the rocks? Is there more behind the "moonshaft"? Which incident or who put it into this mountain? Is it a fossilized man-made object? Is there truth in legends, like Plato's, about long lost civilizations with magic technologies which our rationale cannot grasp nor believe?
I am a sober, academically trained person but must admit that there, between those black, satiny, mathematically-curved cliffs I do feel as if in the grip of an exceedingly strange and grim power. I can understand that simple but intelligent and practical men like Slavek and his forebears sense here witchery, conceal it, and also fear that if the existence of this "moonshaft" is ever made known, it would attract armies of tourists, and all the commotion, tunneling and blasting, hotels, and commercialization which would probably ruin their nature-bound trade and honest life.
On my way back to camp I burrowed and hid the crawl holes which lead towards the wall; the cave may have entrances which Slavek does not know, and some chance discoverer may start blasting "for treasure" before a scientific team can get there. I was in camp after 3:00 p.m., and about 5:00 all three Slaveks arrived, bringing some hardboiled eggs.
With the hearty Slovak handshakes, we shouldered our weapons and packs and went. When we entered the pines and turned, we saw Slavek concealing his cave and the girls sweeping away our tracks. The moon was bright and the snow glittered.
In the very last days of World War II, on my way towards Bohemia, I revisited the place. The Slaveks lived temporarily at Zdar. I visited Martin's grave and looked at the cave entrance. I had taken the animal teeth I had collected to the curator of paleontology at Uzhorod, and he classified them as adult cave bear, Ursus spaeleus. Thereupon I speculated; the crack is too small, the lump of limestone and stalagmites in front of the crack would not let any debris through; this bear seems to have fallen into the "moonshaft," which may have had a connection to the surface.
On my last visit to the place, I examined the mountainside above the cave and found no sinkholes or pits, the assumed connections toward the "moonshaft." But on these steep slopes in the Tatra Mountains, rock slides could have obliterated or filled in any such connections.
Who knows how old this shaft is - it could be millions of years old. Many civilizations have come and gone on earth since before the present one. A gold chain was found inside a boulder, and a machined square cube was found in another one. How did they get there? Many artifacts have been found with no explanations. This shaft reminds me of "Mel's Hole" near Ellensburg, WA. No one has been able to reach the bottom even though 18 miles of fishing line was lowered into it. I am sure each "age" had their own technology, some of which we haven't discovered yet.
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Check the "Mr. Mythos" channel on YT, dude does some great investigations into these matters.
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OP is all about mystery and skips lake vostok lol
Brutafuloaltius lulz
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(The following is about the moonshaft that Ted Phillips has been writing about. He has been gathering money to go over and investigate what it is made of and try to determine when it was made.
If the "Prague spring" had continued, and if trips to Czechoslovakia had not become difficult and even dangerous, I would have done some on the spot research into this story.
This is the story of the discovery in October 1944, during the Czech resistance against the German invaders, of a cave in the form of a crescent-shaped shaft, seemingly of artificial origin. Czech friends have confirmed the basic facts of this story, which was made public in March 1965. Unfortunately they have other problems at this moment, and I an understand their position.
The Riddle is as strange as it is fascinating. The work of extraterrestrial beings is the first explanation that comes to mind, and is the one I would prefer.
I hope that more detailed research using modern methods will one day bring us the truth about a mystery that is one of the most astonishing in this book and on this planet.
The following true adventure, related by a captain in the Slovak Uprising of World War II, transpired during October of 1944. Dr. Antonin T. Horak - now a linguist - has attempted for years to persuade speleologists to investigate what he considers one of the underworld's strangest mysteries - an ancient shaft he discovered in a dismal Czechoslovakian cave. The story is taken from a diary written on the scene and is reprinted from the March 1965 issue of NSS NEWS (National Speleological Society) by the villages of Plavince and Lubocna, at about 49.2 degrees north, 20.7 degrees east - Ronald Calais (contributor of the diary.)
October 23, 1944.
Early yesterday, Sunday, October 22, Slavek found us in a trench and hid us in this grotto. Today at nightfall, he and his daughter Hanka came with food and medicine. We had not eaten since Friday, and all we had had before, during the last two battles, was maize bread and not enough of that. Our commissary had been on its last legs anyway; the supply carriers had been dispersed by confusion and the enemy.
Saturday afternoon, the remnants of our battalion (184 men and officers, a quarter wounded, 16 stretcher cases) were retreating through the snow of the north slope. My company was the rear guard. At dawn Sunday, two 70mm. guns opened up at us from close range - about 300 meters. Having held our position for 12 hours, I ordered a gradual breakup of the skirmish and a slip-off. But in our left trench, someone became careless, and that drew two direct hits - shells, two wounded. Arriving there, I bumped into the enemy, caught a bayonet and bullet with my left palm and a blow on the head, which put me out. Without my fur cap, it might been fractured.
I came to when someone was pulling me from the trench, a tall peasant. He packed snow on my hand and head, and grinned. Then this rough and ready Samaritan grabbed Jurek, stripped off his pants, yanked a long sliver of steel from his thigh, and planted him bare-bottomed and gasping into a heap of snow. Martin, with a slash across and into his belly, was tenderly bandaged. Building a stretcher, the peasant introduced himself as Slavek, a sheepman, owner of the pastures hereabouts. With Slavek hauling and guiding it took us four hours to reach this cranny.
Slavek moved rocks in the cranny and opened a low cleft, the entrance to this roomy grotto. Placing Martin in a niche, we were astonished to see Slavek become ceremonious; he crossed himself, each of us, the grotto, and, with a deep bow, its back wall, where a hole came to my attention.
About to leave us, Slavek went through the same holy rites, and begged me not to go further into his cave. I accompanied him to fetch pine boughs, and he told me that only once, with his father and grandfather, had be been in this cave; that it was a huge maze,full of pits which they never wanted to fathom, pockets of poisonous air, and "certainly haunted." I was back in the grotto with my men at about midnight, exhausted, head very painful, soothed it with snow. Martin was unconscious, Jurek feverish. For breakfast-lunch-dinner, he and I had hot water, and, than, God, I had my pipe. I placed warm stones around Martin, and Jurek got the first watch.
Miserable night, Martin at times conscious; I gave him three aspirins and hot water to sip with drops of Slivovitz (Eds. Note: brandy). Jurek hobbled hungrily around the two German helmets in which he boiled water to which I added ten drops of Slivovitz, our breakfast. With this deluge of snow, avalanches imminent, and enemy skiers roaming, Slavek may not be able to get through to us with food for days to come. And neither should I try hunting and track up the landscape while I have two immobilized men on my hands. But here we have this cave which Slavek knows only partially; it may have more than this known entrance, and it may contain hibernating animals. These possibilities I mulled over while Jurek was chewing pine bark, and, as expected, he implored me to go poaching into Slavek's cave and promised to keep mum. And I was not only starved but equally eager to find out what makes self-assured Slavek scared enough to involve the deities. I started my cave tour with rifle, lantern, torches, pick. After a not too devious nor dangerous walk and some squeezings, always taking the easiest and marking side passages, I came, after about 1 1/2 hours into a long, level passage, and at its end upon a barrel-sized hole.
Crawling through and still kneeling, I froze in amazement - there stands something like a large, black silo, framed in white. Regaining breath, I thought that this is a bizarre, natural wall of curtain of black salt, or ice, or lave. But I became perplexed, then awestruck, when I saw that it is a glass-smooth flank of a seemingly man-made structure which reaches into the rocks on all sides. Beautifully, cylindrically curved it indicates a huge body with a diameter of about 25 meters. Where this structure and the rocks meet, large stalagmites and stalactites form that glittering white frame. The wall is uniformly blue-blackish, its material seems to combine properties of steel, flint, rubber - the pick made no marks and bounced off vigorously. Even the thought of a tower-sized artifact, embedded in the middle of an obscure mountain, in a wild region where not even legend knows about ruins, mining, industry, overgrown with age-old cave deposits, is bewildering - the fact is appalling.
Not immediately discernible, a crack in the wall appears from below, about 20 to 25 cm wide, tapers off and disappears into the cave's ceiling, 2 to 5 cm. wide. Its insides, right and left, are pitch black and have fist-sized sharp valleys and crests. The crack's bottom is a rather smooth trough of yellow sandstone, and drops very steeply (about 60 degrees) into the wall. I threw a lighted torch through; it fell and extinguished with loud cracklings and hissings as if a white hot ploughshare were dropped into a bucket.
Driven to explore, and believing myself thin enough to get through this upside-down keyhole, I went in. Wriggling sideways, injured hand and head below and steeply downward, nearly standing on my head, cramped, though my right arm with the lamp could move in the extended crack above me, the crush got the better of me and I had to get out, back, quickly. And that became a struggle. When out and breath regained, I was too fascinated by the whole riddle and determined to get at it. For the day I had had enough and had to think about tactics.
I was in camp about 4:00 p.m. Jurek had washed Martin, kept him between warm stones, and I gave him three aspirins and hot water with Slivovitz to sip. I explained to Jurek that the hunt in the cave requires much smoke, poles, and a rope. Thank God, Slavek and Hanka did come with provisions. When they left, I accompanied them to fetch torch boughs, was back in camp about 2:00 a.m., dead tired, but finally we had eaten - Jurek too much - an I got the second watch.
October 24, 1944. Peaceful night; Martin supped fever-tea with honey; hope we can pull him through. Jurek's posterior is not even swollen, but my head still is. I cut our belts, braided eight meters of solid rope. At 10:00 a.m. was at the wall, anchored the rope over a stock across the crack, and keeping it slung over my shoulder, forced myself again into the grim maw. Like yesterday, the lamp, this time carbide, was on a stick ahead within the jaw above. When it came through and down, it sung freely over some void into which I could not see and there was again rushing as if from agitated waters. And, unable to turn, I feared a water-filled pit ahead and to end in it -- literally -- in a headstand.
I wriggled upwards, back again; my clothes caught on the protrusions, descended on my shoulders and head, and formed a plug. The resulting struggle nearly caused me to be burned alive. When out and on my feet, I was shaking from exhaustion, and had lurid visions.
There were no loose stones about the wall, and so I hacked stalagmites into short rolls and bowled them down through the crack. They rolled on, causing enormous echoes, and knocked to a standstill, indicating a solid floor and room to turn. I launched the unlit torches after the stones, undressed, keeping the shirt only, and went after the stones and torches. Already acquainted with the meanest fangs in the crack, I came through with only a few cuts, dropped a little, rolled down an incline and was stopped by a wall which felt familiar, satiny smooth like the front wall.
My lamp was still burning next to me, but there were confusing sounds. Lighting some torches, I saw that I was in a spacious, curved, black shaft formed by cliff-like walls which intersect and form a crescent-shaped, nearly vertical tunnel, rather, sharp. I cannot describe the somberness and the endless whisperings, rustlings, and roaring sounds, abnormal echoes from my breathing and movements. The floor is the incline over which I rolled in, a solid lime "pavement."
All the lights together did not reach the ceiling or where these walls end or meet. The horizontal distance between the apexes of the concave backside of the front wall and the convex back wall is about eight meters; along the curve of the back wall is about 25 meters. To explore further I needed more light and my pick, which does not fit through the crack and must be taken apart.
I left jubilant, in a sort of enchantment mixed with determination to explore this large structure, which I believe is unique, singular.
This time my head up, with no clothes to ensnare and burn me, I was through the crack fairly unscathed, dressed, smoked a pipe, and was underway to my men. I tried to catch some bats, but caught none. Jurek was boiling potatoes and mutton and therefore inclined to excuse my bad huntsmanship; he even appreciated its hardships when he had to grease the scratches on my back and mend my shirt.
Martin had a crumb of bread with honeyed fever-tea. After 6:00 p.m., I went for a new load of torches, was back at about 10:00 p.m. Jurek got both watches.
October 25, 1944. We had a good night. Martin seems to mend. Am glad that Jurek's thigh is not yet well enough for him to want to go with me poaching for bats. It is better that he knows nothing about the cave's secret.
I went directly to the wall, undressed like yesterday, smeared mutton most delicious woman I’ve ever laid my eyes on! over me, slid my things through the crack, and went in, feet first. Extending the carbide lamp upon a double pole, with four torches burning, still the upper ends of the cliffs remained in the dark. I fired two bullets up, parallel to the walls. The reports caused roars as from an express train, but no impact was visible. Then I fired a bullet on each wall, aiming some 15 meters upward from me, got large blue-green sparks and such a sound that I had to hold my ears between my knees, and flames danced wildly.
Assembly the pick caused more uproars. I probed the "pavement," and started digging where the lime is thin, in the horns of the crescent. At right is dry loam; at left I came, at about half a meter, upon a pocket of enamel from the teeth of some large animal; took one canine and one molar, replaced the rest. Digging on nearby, the back wall has, at about 1 1/2 meters below the pavement, a vertical, finely fluted, undulating pattern (This has been suggested as an indication of machinery). It seemed warmer than the smooth surface. I tried with lip and ear, and believe the impression is correct. In the middle, the pavement is too thick for a trench pick.
When the torches were extinguished, and I was in a freezing sweat, I left the "moonshaft," dressed and went where the bats are, and bagged seven. Jurek stuffed them with bread and herbs and they became exquisite "pigeons."
Slavek and Olga, his other daughter, came about dusk with hay, straw, a sheep's fleece, more medicinal herbs - self-heal and stonecrop - and seeds from the Iris, an excellent coffee substitute. I accompanied him, fetched nine torches, two long poles, and was back about midnight. Martin got the last aspirins, honey-water; and Jurek both watches.
October 26, 1944. It was a good night. I went into the "moonshaft" to continue experimenting. On my longest assembly of poles and carbide lamp did not light the upper ends of these cliffs. I fired above the lighted areas; the bullets struck huge sparks and made deafening echoes. Then horizontally at the back wall with similar effects - sparks, roaring, no splinters, but a half-finger-long welt which gave a pungent smell. After that I continued in my digging in the left moon horn and saw that the wavy pattern extends downward; but in the right horn, I found no such pattern.
I left the moonshaft to probe the front wall and its surroundings. Next to the stalactites are some enamel-like flecks which, scraped, yield a powder too fine to be collected without glue, which I will try to boil from our "pigeons" claws. I wished to obtain a sample of the peculiar material of the walls, but even firing two bullets into the crack, upon the protrusions and hitting them, I received only ricochets, a blast of thunder, welts, and the same pungent smell.
Returning to camp I caught some bats and we again had "pigeons." I ordered Jurek to carefully remove any trace of them, and kept the claws. The Slaveks arrived as usual at nightfall bring this time a quarter of a deer, 1/2 kilogram of salt, and a tin of carbide. Jurek took both watches.
October 27, 1944. Martin died, slept into death. Jurek knows his kin, took charge of his belongings, including his wallet with 643 crowns, watch with chain, and my certificate. Now we are free and ready to leave and rejoin our battalion which is somewhere east of Kosice. With his stick Jurek can march some ten kilometers daily, and we have to move carefully anyway. We will start tomorrow.
At 10:00 a.m I was in the cave probing passages for a way around behind the "moonshaft"; looked also for ice and poisonous air about which Slavek had spoken, and found none, though there may be some. Then I slipped into the "moonshaft" to sketch, dig, and ponder, and returned to camp at about 4:00 p.m. I ordered Jurek to prepare our packs, clean the weapons, boil food for seven days, and have ready what we will not need to be returned to the Slaveks. He and both girls, as if the family had sensed that Martin died, came, and we carried him into the dwarf pines to the trench where he had received his mortal wound, took runs to dig his grave, prayed, and buried him in a blanket.
October 28, 1944. Restful night, good breakfast. Cut my name, etc., on a leather strip, and together with the golden back of my watch rolled and inserted both engravings into a glass bottle, plugged it with a pebble and a ball of clay, mixed with charcoal and deposited this record in the "moonshaft" on top of the ashes of my torches. It may stay there for a long time, possibly until the structure is completely hidden behind its curtain of stalactites and stalagmites. Slavek has no son to tell about his cave-mystery; his womenfolk don't know about it, and anyway daughters usually marry to other villagers. In a few decades nobody will know, if I do not come back and have the structure explored.
I sat there by my fire speculating: What is this structure, with walls two meters thick and a shape that I cannot imagine of any purpose known nowadays. How far does it reach into the rocks? Is there more behind the "moonshaft"? Which incident or who put it into this mountain? Is it a fossilized man-made object? Is there truth in legends, like Plato's, about long lost civilizations with magic technologies which our rationale cannot grasp nor believe?
I am a sober, academically trained person but must admit that there, between those black, satiny, mathematically-curved cliffs I do feel as if in the grip of an exceedingly strange and grim power. I can understand that simple but intelligent and practical men like Slavek and his forebears sense here witchery, conceal it, and also fear that if the existence of this "moonshaft" is ever made known, it would attract armies of tourists, and all the commotion, tunneling and blasting, hotels, and commercialization which would probably ruin their nature-bound trade and honest life.
On my way back to camp I burrowed and hid the crawl holes which lead towards the wall; the cave may have entrances which Slavek does not know, and some chance discoverer may start blasting "for treasure" before a scientific team can get there. I was in camp after 3:00 p.m., and about 5:00 all three Slaveks arrived, bringing some hardboiled eggs.
With the hearty Slovak handshakes, we shouldered our weapons and packs and went. When we entered the pines and turned, we saw Slavek concealing his cave and the girls sweeping away our tracks. The moon was bright and the snow glittered.
In the very last days of World War II, on my way towards Bohemia, I revisited the place. The Slaveks lived temporarily at Zdar. I visited Martin's grave and looked at the cave entrance. I had taken the animal teeth I had collected to the curator of paleontology at Uzhorod, and he classified them as adult cave bear, Ursus spaeleus. Thereupon I speculated; the crack is too small, the lump of limestone and stalagmites in front of the crack would not let any debris through; this bear seems to have fallen into the "moonshaft," which may have had a connection to the surface.
On my last visit to the place, I examined the mountainside above the cave and found no sinkholes or pits, the assumed connections toward the "moonshaft." But on these steep slopes in the Tatra Mountains, rock slides could have obliterated or filled in any such connections.
Who knows how old this shaft is - it could be millions of years old. Many civilizations have come and gone on earth since before the present one. A gold chain was found inside a boulder, and a machined square cube was found in another one. How did they get there? Many artifacts have been found with no explanations. This shaft reminds me of "Mel's Hole" near Ellensburg, WA. No one has been able to reach the bottom even though 18 miles of fishing line was lowered into it. I am sure each "age" had their own technology, some of which we haven't discovered yet.
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Hi RANCIDMILKO
Just got finished watching this doc and I've got to say it was pretty intriguing. I'll most likely watch it again to see what parts I may have missed, but I learned a couple of things from this video. I didn't know about volcanic bombs at all, they seem pretty cool. I had no idea that mining played such a huge role in the earth's rock formations and caverns. The part about the long impressions in the flat rocks in Malta supposedly made by carts was cool. The depth of the so called cart impressions on the ground rock were too deep and straight to have been made by a simple cart was a good point, not to mention the absence of hoof prints from the animals hauling the carts. I also found it pretty cool how man made caverns looked so natural. I couldn't help but laugh at the "Nimrod Fortress". Strange name. The UFO shot was awesome!
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For well over a century, some have claimed that people can suddenly and inexplicably explode into a ball of fire. The phenomenon is called spontaneous human combustion (SHC), and it has been described in many popular books on mysteries and the unexplained.
Though the term "spontaneous human combustion" is of fairly recent vintage, it was a rare-but-real concern to many in the 1800s. In fact, there are nearly a dozen references to people bursting into flames in pre-1900 fiction. The most famous example is Charles Dickens's 1853 novel "Bleak House," in which a character explodes into fire, though the phenomenon can also be found in the works of Mark Twain, Herman Melville, Washington Irving and others. In modern times, SHC has appeared in movies and on television shows, including "The X-Files," and it's even, sort of, the super-power of Johnny Storm, the Human Torch, in "Fantastic Four" comic books.
Fires do not typically start on their own. When investigators search for the cause of forest fires, they don't assume that the flame ignited itself. Rather, they usually suspect that a careless camper or a lightning strike caused it. However, many things can self-ignite without exposure to flames, under the right circumstances, including coal dust, piles of compost and used oily rags.
But it's a whole different matter to claim that people can suddenly burst into flames for no apparent reason. There is no doubt that bodies can burn; crematoriums routinely reduce the human body to ashes in the course of a few hours. The mystery of SHC lies in the supposedly strange circumstances under which victims burst into flames. Typically, the story goes, there is no obvious source of ignition, no open fires nearby that might set the person aflame. Furthermore, the victims are killed, and not, for example, only partly burned on one arm or a leg; SHC is fatal. Some claim that burning often seems to begin in the chest or stomach area, leaving the grisly remains of legs and hands intact. Others claim that the furniture and floors under and surrounding the victims (including even their clothing) remain mysteriously unburned.
Some of these popular claims are simply wrong. For example, there are many photographs of supposed SHC victims that clearly show extensive burning and damage to the clothing and surroundings of the burned person. It's also important to understand a bit of fire forensics: many fires are self-limiting; that is, they put themselves out naturally because they run out of fuel. Though the public often sees uncontrolled fires completely engulfing and burning down entire rooms and buildings, fires are unpredictable. It is quite possible, for example, for only a rug, bed, or sofa to catch fire without spreading to the rest of the room. Because fires normally burn upward instead of outward, there is nothing paranormal or strange about finding a victim in one part of a room burned to death while the rest of the room has little more than smoke damage.
What about the source of ignition? What could possibly cause people to suddenly burst into flames? A century ago, it was blamed on intemperance and even God's wrath: most victims were assumed to be drunkards who had saturated their cells with alcohol. In the 1970s, a quasi-Freudian explanation came into vogue suggesting that a person's depressive emotional states could somehow cause him or her to become enflamed. Others have suggested that sunspots, cosmic storms, gas-producing intestinal bacteria, or even a buildup of the body's supposed "vibrational energy" may be to blame.
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IN 1886 an eccentric woman named Sarah Winchester traveled from New Haven, Connecticut, to San Jose, California, to start a new life. She purchased a small eight-room farmhouse and started a small renovation project that would take 36 years and $5.5 million (in the money of the time), only stopping when she passed away in 1922.
By the time she was done, the Winchester Mansion was a modern marvel with indoor plumbing, multiple elevators, a hot shower, and central heating. It had over 160 rooms and 40 bedrooms, 10,000 windows, and even 2 basements. Of course, that’s not all that’s unique about the house. Not all the 2,000 doors can be walked through—one leads to an 8-foot drop to a kitchen sink, another to a 15-foot drop into bushes in the garden below. Staircases lead straight to ceilings, expensive Tiffany stained-glass windows were installed in places where they would get no light, and there are more secret passages than Narnia. A particularly odd delight is a cabinet that, when opened, extends through 30 rooms of the house.
No one is quite sure why Mrs. Winchester demanded constant changes to her very large house. Of course, there are stories.
The most prevalent story is that Mrs. Winchester was being haunted by the spirits of those killed by the Winchester rifle, which her late husband’s company had invented. After her husband passed away, a psychic told her that to evade the spirits, she would have to move out west, buy a home, and build nonstop. Some theories say she believed that as soon as construction was complete, she would die, while other theories suggest she built the house like a maze in order to keep her paranormal tormentors at bay and lost in the many intricacies of the building. As the theory goes, to avoid them she would sleep in a different bedroom every night and take labyrinthine paths through her own home.
A massive earthquake struck the Bay Area in 1906 and toppled the top three stories of the house, damaging the other four stories along with it. Some say Sarah Winchester took this as a sign from the spirits that she was too close to completion and ordered the unfinished front half of the house to be boarded up. Though it’s open now, signs of damage from the earthquake are still clearly visible.
In response to the ongoing claims of ghostly encounters and other paranormal phenomena on the property, in the early 1990s the Winchester management had a parapsychologist and paranormal investigator named Christopher Chacon conduct a full-scale scientific assessment of the property. The month-long, round-the-clock investigation included interviewing over 300 people regarding their experiences on the property, and analyzed every aspect of the environment for any unusual phenomena. In 2018, a horror film was made about the infamous house and the spirits that live within.
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That's in my hometown.
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Located in the arid Peruvian coastal plain, some 400 km south of Lima, the Lines and Geoglyphs of Nasca and Pampas de Jumana are one of the most impressive-looking archaeological areas in the world and an extraordinary example of the traditional and millenary magical-religious world of the ancient Pre-Hispanic societies which flourished on the Peruvian south coast between the 8th century BC and the 8th century AD. They are located in the desert plains of the basin river of Rio Grande de Nasca, the archaeological site covers an area of approximately 75,358.47 Ha where for nearly 2,000 uninterrupted years, the region’s ancient inhabitants drew on the arid ground a great variety of thousands of large scale zoomorphic and anthropomorphic figures and lines or sweeps with outstanding geometric precision, transforming the vast land into a highly symbolic, ritual and social cultural landscape that remains until today. They represent a remarkable manifestation of a common religion and social homogeneity that lasted a considerable period of time.
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Really? That's pretty cool!
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