Are we still doing this?
Aside from its influence on the world of fashion, Hollywood doesn't set the tone; on the contrary, it merely mirrors leading edge social developments (and only once the risk to producers' pockets of doing so has diminished substantially). Hollywood gives, and has always given, people exactly what they want. For every Harmony Korine, there are fifty Michael Bays. For every John Waters, fifty Steven Spielbergs.
Neil Breen, Tommy Wiseau, Ed Wood Jr., Uwe Boll, and their ilk are the true pioneers of Hollywood.
The industry is, just like the video games industry, trying to recoup the losses it incurs when it releases an endless stream of B-grade product by choosing to market said product as AAA.
That being said, and with all due respect to folks holding the positions listed in the minutes-long credits rolling up the screen at the end of a film (both before and after any MCU-like teaser snippet), it all starts with an idea or a set of ideas. Ideas are the stock and trade of writers. Without ideas, a director can't direct shit, a producer can't produce shit, a DP can't lens shit, nor can anyone else attached to the project do shit. Writing is the backbone of any entertainment product. Whatever ego-driven hacks like @Omnipotent think of it, writing--i.e., writing something people actually want to read or to pay for--is damned hard (cf. Barton Fink).
Protecting IP is not just a matter of concern to the suits who put up the money for the development of that IP, but to those who come up with it in the first place. The livelihood of writers is now threatened by the unconscionable use of (otherwise soulless) AI to replace the crafters of ideas with machine-like generators of generic, trope-laden drivel and by the unwillingness of moneymen to compensate writers for their ideas despite the fact said moneymen continue to line their pockets with the fruits of those ideas far into the future.
George Lucas once infamously claimed that, if the technology ever arose that would allow him to dispense with pesky actors altogether, he would jump at the chance to use it in a heartbeat. Writers (whom many Hollywood suits, directors included) consider at least as "pesky" as actors, are now faced with the same bullshit creativity-killing attitudes.
Do I miss my late-night hosts? Sure. Do I miss them enough to pine for them to return to the air à la Drew Barrymore by sacrificing those teams of creatives that made these comedians wealthy and famous in the first place? Absolutely not. I like my Colbert, Myers, et al. but I like them for the words coming out of their mouths. And those words belong to someone else.
I'll stand with the WGA for however long it takes writers to get a fair shake.
Did George Lucas say "pesky actors" when he was just starting out or was it after years of dealing with A listers who have contract riders with silly shit like needing their own toilet seats and no one else on set can look them in the eye?Aside from its influence on the world of fashion, Hollywood doesn't set the tone; on the contrary, it merely mirrors leading edge social developments (and only once the risk to producers' pockets of doing so has diminished substantially). Hollywood gives, and has always given, people exactly what they want. For every Harmony Korine, there are fifty Michael Bays. For every John Waters, fifty Steven Spielbergs.
Neil Breen, Tommy Wiseau, Ed Wood Jr., Uwe Boll, and their ilk are the true pioneers of Hollywood.
The industry is, just like the video games industry, trying to recoup the losses it incurs when it releases an endless stream of B-grade product by choosing to market said product as AAA.
That being said, and with all due respect to folks holding the positions listed in the minutes-long credits rolling up the screen at the end of a film (both before and after any MCU-like teaser snippet), it all starts with an idea or a set of ideas. Ideas are the stock and trade of writers. Without ideas, a director can't direct shit, a producer can't produce shit, a DP can't lens shit, nor can anyone else attached to the project do shit. Writing is the backbone of any entertainment product. Whatever ego-driven hacks like @Omnipotent think of it, writing--i.e., writing something people actually want to read or to pay for--is damned hard (cf. Barton Fink).
Protecting IP is not just a matter of concern to the suits who put up the money for the development of that IP, but to those who come up with it in the first place. The livelihood of writers is now threatened by the unconscionable use of (otherwise soulless) AI to replace the crafters of ideas with machine-like generators of generic, trope-laden drivel and by the unwillingness of moneymen to compensate writers for their ideas despite the fact said moneymen continue to line their pockets with the fruits of those ideas far into the future.
George Lucas once infamously claimed that, if the technology ever arose that would allow him to dispense with pesky actors altogether, he would jump at the chance to use it in a heartbeat. Writers (whom many Hollywood suits, directors included) consider at least as "pesky" as actors, are now faced with the same bullshit creativity-killing attitudes.
Do I miss my late-night hosts? Sure. Do I miss them enough to pine for them to return to the air à la Drew Barrymore by sacrificing those teams of creatives that made these comedians wealthy and famous in the first place? Absolutely not. I like my Colbert, Myers, et al. but I like them for the words coming out of their mouths. And those words belong to someone else.
I'll stand with the WGA for however long it takes writers to get a fair shake.
Neil Breen, Tommy Wiseau, and Ed Wood Jr. are the true pioneers of Hollywood.
You're saying people should be paid for what they are worth and I'm saying assholes gonna asshole.
There is a difference.
And the South Park dudes using wooden dolls instead of actors paved the way for moving forward...
Apologies... I'd just finished reading about what Steven Spielberg and his friends allegedly did to that little girl in Poltergeist.Are we still doing this?
Really?
Is this guy being creative? or is he just being an asshole?
There you go again, shamelessly plugging the Swingin' Sailor... although it makes a change from plugging your asshole, I guess.Swing by later;
These guidelines - do they include writing things which are interesting, witty, innovative, and entertaining, or can they continue writing the same old shit?The guidelines are in place for writers industry standard.
These guidelines - do they include writing things which are interesting, witty, innovative, and entertaining, or can they continue writing the same old shit?
So are you suggesting they are actually going to write even more shit than used to?I believe it’s a per word/line fee structure.
I feel stupid and contagious, here we are now entertain us!